“A Field in England” (2013) is a mind-bending historical thriller. It follows a group of deserters during the English Civil War who become entangled in a hallucinogenic journey. Shot entirely in black and white, this visually stunning film transports the audience to a mystical realm where reality and madness collide. With an eerie atmosphere and poetic dialogue, it explores themes of power, freedom, and the human psyche. “A Field in England” is an enigmatic masterpiece that challenges viewers with its unconventional storytelling and surreal aesthetics.
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Review
In the vast landscape of cinema, there are films that challenge convention, break boundaries, and transport us to uncharted territories. “A Field in England” is one such movie, a true masterpiece that immerses us in a world of intrigue, mystery, and historical drama. Directed by the talented filmmaker Ben Wheatley and released in 2013, this film has left an indelible mark on audiences and critics alike.
The storyline of “A Field in England” takes us back to the 17th century during the English Civil War. Set against the backdrop of a desolate field, we follow a small group of deserters who find themselves embroiled in an otherworldly encounter. As they search for buried treasure amidst the chaos of war, they inadvertently stumble upon something much more sinister.
The plot unfolds with great precision and keeps audiences on their toes throughout the film’s runtime. It is a clever blend of historical accuracy and surreal storytelling that keeps viewers guessing until the very end. Wheatley’s masterful direction ensures that every twist and turn is both unexpected and visually stunning.
One cannot discuss “A Field in England” without delving into its exceptional cast. The film boasts a talented ensemble including Reece Shearsmith as Whitehead, Michael Smiley as O’Neil, Julian Barratt as Trower, Peter Ferdinando as Jacob, and Ryan Pope as Friend. Each actor delivers a truly remarkable performance, bringing their characters to life with depth and authenticity.
The acting prowess displayed in this film is truly commendable. Shearsmith’s portrayal of Whitehead is particularly noteworthy; his transformation from a timid deserter to a man driven by desperation is both captivating and heartbreaking. Smiley’s portrayal of O’Neil injects an air of menace into the narrative that leaves audiences on edge throughout the film.
While “A Field in England” may be rooted in history, it embraces the fantastical elements with gusto. The film seamlessly weaves together historical facts and folklore, blurring the lines between reality and fiction. This unique merging of genres is what sets this film apart and makes it a truly captivating experience.
The score and popularity of “A Field in England” are testaments to its brilliance. Composed by Jim Williams, the hauntingly beautiful soundtrack perfectly complements the dark and atmospheric nature of the film. It has garnered praise from both critics and audiences, cementing its place as an unforgettable cinematic experience.
Filming “A Field in England” presented its own set of challenges. The majority of the movie was shot on location in rural Kent, England, where Wheatley and his crew faced unpredictable weather conditions and limited resources. However, these limitations only served to enhance the authenticity of the film’s setting, creating an immersive experience for viewers.
Evaluation of “A Field in England” reveals a film that pushes boundaries both visually and narratively. Its unique storytelling approach has earned it critical acclaim and numerous awards. The film won the British Independent Film Award for Best Director of a British Independent Film in 2013, further solidifying Wheatley’s status as a visionary filmmaker.
Cinematography plays a pivotal role in creating the ethereal atmosphere that permeates “A Field in England.” Laurie Rose’s masterful work behind the camera elevates every frame, capturing both the beauty and brutality of war-torn England with equal precision. The use of black-and-white photography adds a timeless quality to the visuals, further immersing viewers in this haunting world.
Opinions on “A Field in England” vary widely among audiences and critics alike. Some view it as an avant-garde masterpiece that challenges traditional storytelling conventions while others find its nonlinear narrative confusing and inaccessible. However, it is precisely this polarizing quality that makes the film so intriguing – it forces us to question our expectations and embrace new forms of storytelling.
Certain scenes in “A Field in England” have become iconic, etching themselves into the collective memory of those who have seen the film. One such scene involves the characters consuming hallucinogenic mushrooms, resulting in a surreal and visually stunning sequence that blurs the boundaries of reality. It is a testament to Wheatley’s ability to transport audiences to unexplored territories within their own minds.
Gossip surrounding “A Field in England” has centered around its unconventional dialogue and ambiguous ending. The film’s script, written by Amy Jump, is filled with poetic language that challenges traditional dialogue structures. This unconventional approach has sparked discussions among cinephiles and critics alike, with some hailing it as a triumph of originality while others find it alienating.
The dedication and talent of the film crew cannot be overlooked when discussing “A Field in England.” From production design to costume creation, every aspect of this film was meticulously crafted to create an immersive experience for audiences. The attention to detail is apparent in every frame, further enhancing the sense of authenticity.
Criticism surrounding “A Field in England” centers primarily around its slow pacing and non-linear narrative structure. Some argue that these elements detract from the overall experience, making it difficult for viewers to fully engage with the story. However, it is precisely these characteristics that make the film so unique and deserving of praise.
The production and editing of “A Field in England” required meticulous attention to detail. Wheatley worked closely with cinematographer Laurie Rose and editor Amy Jump to ensure that the film maintained its ethereal atmosphere while remaining coherent. Their collaboration resulted in a visual masterpiece that captivates audiences from start to finish.
In conclusion, “A Field in England” is a cinematic tour de force that defies convention and pushes boundaries. With its captivating storyline, exceptional cast, and masterful direction by Ben Wheatley, this film transports us to a world where reality and fiction intertwine. Its score and popularity are testaments to its brilliance, while the cinematography and production design create an immersive experience that lingers long after the credits roll. While it may not be everyone’s cup of tea, “A Field in England” is a film that demands to be seen and savored for its originality, ambition, and artistic vision.
Technical Data
- Release : 2013-07-05
- Runtime : 90
- Genre : Drama, History, Horror, Thriller, Comedy, Adventure, Fantasy
- Cast : Reece Shearsmith as Whitehead, Michael Smiley as O’Neil, Julian Barratt as Trower, Richard Glover as Friend, Ryan Pope as Cutler
- Crew : Andrew Starke as Producer, Laurie Rose as Director of Photography, Ben Wheatley as Director, Ben Wheatley as Editor, Ben Wheatley as Writer
- Revenue : $600,000
- Budget : $300,000
- Company : Rook Films, Film4 Productions
- Popularity : 8.668
- Summary : During the Civil War in 17th-Century England, a small group of deserters flee from a raging battle through an overgrown field. They are captured by an alchemist, who forces the group to aid him in his search to find a hidden treasure that he believes is buried in the field. Crossing a vast mushroom circle, which provides their first meal, the group quickly descend into a chaos of arguments, fighting and paranoia, and, as it becomes clear that the treasure might be something other than gold, they slowly become victim to the terrifying energies trapped inside the field.
- Tagline : Open Up And Let The Devil In
