“I Don’t Feel at Home in This World Anymore” is a darkly comedic thriller about a woman who becomes fed up with the injustices of the world.
When her home is burglarized, Ruth, played by Melanie Lynskey, embarks on a journey to find the thieves and seek justice, teaming up with her eccentric neighbor Tony, portrayed by Elijah Wood.
As they delve into a criminal underworld filled with odd characters and dangerous encounters, Ruth’s frustration transforms into determination.
The film serves as both an exploration of human nature and an allegory for society’s indifference towards decency.
With its sharp humor and unexpected twists, “I Don’t Feel at Home in This World Anymore” delivers a thought-provoking yet entertaining experience.
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Review
The Intriguing World of “I Don’t Feel at Home in This World Anymore”: Exploring the Depths of Human Psychology and Society
Introduction:
In a riveting exploration of human behavior and societal frustrations, the movie “I Don’t Feel at Home in This World Anymore” captures our attention from start to finish. Directed by Macon Blair and released in 2017, this dark comedy-thriller takes us on an unexpected journey that challenges our perceptions and leaves us questioning the very fabric of our own existence.
Storyline:
At its core, the movie tells the story of Ruth (played brilliantly by Melanie Lynskey), a mild-mannered woman who finds herself disillusioned with the world around her. After being burglarized, Ruth’s sense of vulnerability triggers an unexpected quest for justice. Teaming up with her eccentric neighbor Tony (portrayed by Elijah Wood), Ruth embarks on a mission to find the thieves, seeking closure and redemption in an increasingly chaotic world.
The Plot Unfolds:
What ensues is a rollercoaster ride of dark humor and intensifying violence that keeps viewers on edge. With each twist and turn, we witness Ruth’s transformation from a meek individual to someone willing to confront life head-on. As her pursuit for justice deepens, we encounter bizarre encounters, unlikely allies, and unexpected confrontations that challenge our understanding of morality.
Casting Choices:
The exceptional cast brings depth and authenticity to their characters’ struggles. Melanie Lynskey showcases her incredible range as she takes on the role of Ruth. From portraying vulnerability to unleashing her inner warrior, Lynskey captivates audiences with her nuanced performance. Elijah Wood delivers another memorable performance as Tony, adding an offbeat charm to his character’s quirky nature.
A Quote Worth Highlighting:
One particular quote stands out in its resonating simplicity: “People are fucked up.” This line, delivered with both humor and a touch of despair, encapsulates the underlying theme of the film – the exploration of humanity’s flaws and struggles.
Exploring Human Psychology:
Underneath its often dark and comedic exterior, “I Don’t Feel at Home in This World Anymore” delves into the depths of human psychology. Through Ruth’s experiences, we witness how external events can trigger a chain reaction within our own minds and propel us toward new personal truths. The movie serves as a mirror to our own vulnerabilities, fears, and frustrations within a society that often feels disconnected.
Popularity and Critical Acclaim:
Upon its release, “I Don’t Feel at Home in This World Anymore” gained widespread recognition for its thought-provoking narrative. The film received the coveted Grand Jury Prize at the Sundance Film Festival in 2017, solidifying its place as an indie gem worthy of attention.
Cinematography That Complements the Storyline:
The cinematography by Larkin Seiple plays a vital role in creating an engrossing atmosphere. With its use of close-ups and intimate shots, we are drawn into Ruth’s perspective, feeling every ounce of her frustration and determination.
Powerful Soundtrack Selections:
The movie’s carefully curated soundtrack adds another layer to the storytelling. Songs such as “I See Hawks In L.A.” by Kamasi Washington and “Plainsong” by The Cure heighten the emotional impact of crucial scenes while amplifying the tension that permeates throughout.
Filming Locations:
Shot entirely in Portland, Oregon, the city becomes an integral character in itself. Its distinct personality adds authenticity to Ruth’s search for justice amid suburban mundanity.
In-Depth Analysis:
“I Don’t Feel at Home in This World Anymore” provides ample room for interpretation and analysis. From exploring gender dynamics to dissecting vigilante justice within society’s margins, there is much to unravel beneath the surface.
Evoking Laughter and Unease:
Blending dark humor with gritty realism, the film constantly juxtaposes comedic moments with intense violence. This balance leaves us on a constant tightrope, unsure whether to laugh or gasp at each unexpected turn of events.
Gossips and Speculations:
While the movie didn’t generate significant gossip or speculation, it did spark conversations surrounding the themes of alienation, disillusionment, and the potential for change within ourselves and society. These discussions ultimately add depth and richness to the film’s impact.
Special Effects:
“I Don’t Feel at Home in This World Anymore” maintains a raw and grounded approach, relying less on special effects and more on its authentic performances and compelling storytelling. The absence of extensive visual effects ensures an immersive experience that remains firmly rooted in reality.
Criticism and Praise:
Like any work of art, the movie is not without its critics. Some argue that certain plot developments lacked coherence or that character motivations could have been clarified further. However, these critiques do not undermine the film’s overall triumphs in capturing human nature’s complexities.
Behind-the-Scenes Crew:
Macon Blair’s directorial debut showcases his keen understanding of storytelling dynamics. Additionally, cinematographer Larkin Seiple’s vision plays a pivotal role in crafting an atmosphere that immerses audiences deeply within Ruth’s experiences.
Production Challenges:
The movie faced limited budget constraints but managed to utilize its resources skillfully to create a visually stunning yet gritty world where Ruth’s journey unfolds.
Editing That Enhances Suspense:
The seamless editing by Tomas Vengris ensures a tight narrative pace that never lets go of viewers’ attention. Expertly timed cuts heighten suspense during crucial moments while allowing room for contemplation when needed.
Conclusion:
“I Don’t Feel at Home in This World Anymore” takes us on a captivating journey through Ruth’s quest for justice, self-discovery, and a sense of belonging. With its powerful performances, thought-provoking themes, and unapologetic exploration of the darker aspects of human nature, this film exemplifies the ingenuity and depth that can be found within independent cinema. Prepare to be captivated, unsettled, and ultimately left with a newfound appreciation for the complexities of our own world.
Technical Data
- Release : 2017-01-19
- Runtime : 96
- Genre : Thriller, Drama, Crime, Comedy
- Cast : Melanie Lynskey as Ruth Kimke, Elijah Wood as Tony, David Yow as Marshall, Jane Levy as Dez, Devon Graye as Christian
- Crew : Neil Kopp as Producer, Jennifer M. Byrne as Production Accountant, Anish Savjani as Producer, Mark Bennett as Casting, Macon Blair as Screenplay
- Revenue : 0
- Budget : 0
- Company : XYZ Films, filmscience
- Popularity : 10.504
- Summary : When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.
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